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The Savage Detectives: A Novel, by Roberto Bolaño
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Amazon.com Review
Amazon Significant Seven, May 2007: The late Chilean writer Roberto Bolaño has been called the GarcÃa Marquez of his generation, but his novel The Savage Detectives is a lot closer to Y Tu Mamá También than it is to One Hundred Years of Solitude. Hilarious and sexy, meandering and melancholy, full of inside jokes about Latin American literati that you don't have to understand to enjoy, The Savage Detectives is a companionable and complicated road trip through Mexico City, Barcelona, Israel, Liberia, and finally the desert of northern Mexico. It's the first of Bolaño's two giant masterpieces to be translated into English (the second, 2666, is due out next year), and you can see how he's influenced an era. --Tom Nissley Questions for Translator Natasha Wimmer Natasha Wimmer translated books by Mario Vargas Llosa and Bolaño's good friend Rodrigo Fresán, among others, before tackling Bolaño's two long novels, The Savage Detectives and the upcoming 2666, which have had an immeasurable impact on modern Latin American fiction (and perhaps now on Anglo American writing as well). We asked her a few questions about the process of bringing such a vast and vital book into English. Amazon.com: How did you come to literary translation, and to translating a work of such prestige? Is the community of Spanish-to-English literary translators small, given Americans' famous lack of interest in translated work? Wimmer: Luck, really. I lived in Spain when I was little, which is where I learned Spanish, and then I studied Spanish literature in college, but it was a job in publishing--at FSG, the publisher of The Savage Detectives--that made me realize that literary translation was something I could try. IÂ’ve been translating now for eight years. My first project was a novel by the Cuban writer Pedro Juan Gutiérrez, Dirty Havana Trilogy, and since then IÂ’ve worked on books by Mario Vargas Llosa, Gabriel Zaid, Rodrigo Fresán, and Laura Restrepo. When I read The Savage Detectives, I thought it was one of the best novels I had read in any language in years, but I was sure there was no chance I would get to translate it. Bolaño already had a great translator--Chris Andrews. But Andrews couldn't do it, and I was the extremely fortunate runner-up. The community of full-time translators is definitely small--it's hard to make a living. But there are many great occasional translators--professors, editors, writers. Amazon.com: We're told that Bolaño towers over his generation of writers (and I can believe it). What did he do that was new? What has his influence been? Wimmer: Bolaño was (is) the first to make a true break from the legacy of the Boom. Many other writers of his generation, and younger writers, too, have tried and are still trying to make a literature of their own, one that doesnÂ’t languish in the long shadow of GarcÃa Márquez, Mario Vargas Llosa, and the other novelists who exploded on the world scene in the 1960s. Bolaño made the leap seem effortless. The writers of the Boom put Latin America on the map. Bolaño creates a Latin America of the mind, a post-nationalist Latin America filtered through a rootless, restless, uncompromising literary sensibility. Amazon.com: Could you describe Bolaño's style and his sentences? (I love his parentheses.) How did you handle the dozens of voices in The Savage Detectives? Wimmer: Bolaño is both a maximalist and a classicist. He loves to play with excess, with the notion of reckless abandon, but beneath that there is a very careful sense of balance. He was a poet for many years before he became a novelist, and he is an endlessly inventive stylist. But--more rarely for a poet--he also has an unerring sense of character and a palpable fondness for his characters. The Savage Detectives could never have worked otherwise. There are very few writers who could write a novel from the perspective of fifty-odd characters and make each character's story seem urgent and intimate. From the translator's perspective, some voices were definitely more difficult than others, but I rarely felt that I had to strain to make them distinct from each other. Mostly, it just involved following Bolaño's cues. The hardest thing, oddly enough, was getting the rhythm of his sentences right. There is something syncopated and unpredictable about them that would have been all too easy to smooth over as a translator, and I made a concerted effort not to do that. Amazon.com: All of his books are full of references to, and appearances by, Latin American writers both fictional and real and I'm sure as a clueless American reader I'm missing hundreds of inside jokes. What's it like to read his work when you actually know the people he's referring to? Wimmer: It adds a little something, but not as much as you might think. And many of his references are obscure even to Spanish-language readers. There is something cultish and purposefully arcane about the literary world that Bolaño's protagonist, GarcÃa Madero, yearns to join, and like GarcÃa Madero, the reader is entranced by authors' names and book titles without knowing exactly where they come from. Amazon.com: You are working on translating his other giant masterpiece, 2666, the even larger novel that he completed just before his death. How is it going? What can we expect from 2666? Wimmer: It's an extremely long novel (1100 pages in the Spanish edition ), so it's a test of stamina, but it's going very well. Like The Savage Detectives, it revolves around a lost writer (Cesárea Tinajero in TSD and Benno von Archimboldi in 2666), and the crucial episodes take place in the north of Mexico, but it is a darker book. The lurking sense of dread that many of the characters feel in TSD becomes something more palpable and sharply defined in 2666, and is linked to the killings of women in the Mexican city of Santa Teresa (modeled on Ciudad Juárez) and the legacy of the wars of the 20th century, particularly World War II.
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From Publishers Weekly
Starred Review. This novel—the major work from Chilean-born novelist Bolaño (1953–2003) here beautifully translated by Wimmer—will allow English speaking readers to discover a truly great writer. In early 1970s Mexico City, young poets Arturo Belano (Bolaño's alter ego and a regular in his fiction) and Ulises Lima start a small, erratically militant literary movement, the Visceral Realists, named for another, semimythical group started in the 1920s by the nearly forgotten poet Cesárea Tinajero. The book opens with 17 year-old Juan García Madero's precocious, deadpan notebook entries, dated 1975, chronicling his initiation into the movement. The long middle section—written, like George Plimpton's Edie, as a set of anxiously vivid testimonies from friends, lovers, bystanders and a great many enemies—tracks Belano and Lima as they travel the globe from 1975 to the mid-1990s. There are copious, and acidly hilarious, references to the Latin American literary scene, and one needn't be an insider to get the jokes: they're all in Bolaño's masterful shifts in tone, captured with precision by Wimmer. The book's moving final section flashes back to 1976, as Belano, Lima and García Madero search for Cesárea Tinajero, with a young hooker named Lupe in tow. Bolaño fashions an engrossing lost world of youth and utopian ambition, as particular and vivid as it is sad and uncontainable. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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Product details
Hardcover: 592 pages
Publisher: Farrar, Straus and Giroux; 1 edition (April 3, 2007)
Language: English
ISBN-10: 0374191484
ISBN-13: 978-0374191481
Product Dimensions:
6 x 1.4 x 9 inches
Shipping Weight: 2 pounds (View shipping rates and policies)
Average Customer Review:
3.7 out of 5 stars
191 customer reviews
Amazon Best Sellers Rank:
#239,551 in Books (See Top 100 in Books)
My favorite novel. Please read this book while you’re still young and still inhabit a world that isn’t too large to have lost its charms. It took me four months to read The Savage Detectives the first time, even though I read it every day, because this is the sort of book that rewires the very circuits of your soul. It haunts the emotional background of your day-of-day life long after you set it down. Of course, back then I was 19 and living in New York and primed for all manners of literary cliche. Now that I’m older, and slightly more aware of just how impossibly large this world is, I am eager to read it a second time.
I really did enjoy this novel immensely, but there were a few aspects that often left me confused or just plain bothered.Several times, they list writers of their time. Since a few obscure real-life writers' names show up, I assume all these are real. If I were more familiar with these writers, I would probably get the satire, but I am not so I didn't get it.On the other hand, the story is fascinating! And though I was disappointed when the narrator disappeared, I did find it fun to follow these characters all over the world. And you won't understand the title at all until then end. And even then, not completely.Bolaño is a genious. Or he was. It's tragic that he died so young, just when he was picking up speed. So many stories we will miss out on.
Loved the opening section. As for second section, am stuck on about page 400 and can't decide whether to finish or not. The second section has some very ugly, unexplained parts (like when the author's alter-ego is trying to strangle someone on a beach) and some parts that just seem to have been written and included compulsively and drag out the text unnecessarily. It also has a hilarious scene in a publisher's office very reminiscent of Bulgakov, can't decide whether this was intentional nor not.Any writer who wants instruction in how to orient the reader to time and place should take this book as the only lesson they will need. Also, in a novel about poets, not one line of poetry from the main characters...fantastic device. No, this is not a character-driven book: it is about the life and death of a way of life and way of seeing the world, of a time and place that the author misses very much. If you view Visceral Realism in Mexico City in the late 1970's as a character in its own right, you will be just as saddened to see it unraveling, along with its leaders, as you would with any other literary character.This edition is worth reading for the author's comments in interviews on Latin American literature alone....never liked Vargas Llosa or Isabel Allende, or Laura Esquivel, and I now feel freed.
Every so often you come upon a book that you can only diminish the more you try to explain what it's about. "The Savage Detectives" is such a book. Ostensibly it's about a couple of wild young poets who revive an old literary movement and go in search of its forebears. Ultimately they grow older, become increasingly disillusioned, never attain their once-lofty aspirations, heading straight for neglect and oblivion...and yet through everything they still hold on to a belief--a faith, if you will--in poetry and revolution.Okay, that's, in a nutshell, what the novel is "about."But the experience of reading "The Savage Detectives" is one that cannot be described in words other than those Bolano himself used to create this passionate and poetic adventure of heart, mind, and soul. This is a book that follows two characters--through the eyes of a dozen or so other characters--who take literature seriously, as a matter of life and death, not as a mere pastime, not as simple entertainment. If you don't share something of the same conviction, you're likely not to get the point of this novel; actually, you're likely to conclude that there isn't any point to it at all.This is a novel that cannot be contained, nor can it contain itself. If it's difficult to say precisely what it's about, that's in good part because it's about everything--about life and death, about love and art, about beauty and squalor, corruption and violence, humanity and inhumanity. "The Savage Detectives" has the tone and authority of a summing up of all that Bolano had seen and thought in his abbreviated life--a message he was desperate to get down, if not in the most symmetrical of forms, than in a far more honest, if messy, explosion of urgency.This novel throbs with life and intensity--it manages to be both unbearably sad and irresistibly inspiring. Bolano writes as if he's running only a step or two in front of the burning fuse, which, as it turns out, he was. In the end, though, we all share the same fate. And it seems a good part of Bolano's intent to get us to realize, viscerally, as his fictional "visceral realist" poets do, that time is short and the world is big. Let's live while we can.It's tempting to call "The Savage Detectives" the best book I've read all year, but such an assertion would no doubt be suspect because of the fact that it's the most recent book I've read. It is, however, at the very least, among the best books I've read in this or any year.Take the negative reviews of "The Savage Detectives" under advisement. So many of them complain precisely about those things that make this novel so unique and so powerful. Like his even more ambitious "2666," "The Savage Detectives" simply isn't everyone's favorite slice of pie. There are people, after all, who hate coconut custard. Go figure.
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